Musical Genius Tale Ognenovski has performed Classical Music since 1952
Music News:  The First Audio CD of Tale Ognenovski has been released

1.  On May 24, 1953, Tale Ognenovski as clarinet soloist performed the classical concert 'Concert Polka for
     Clarinet' by Miler Bela, with accompaniment by the 'Police Wind Orchestra.' This concert was performed in the
      Radio Skopje building and was Broadcast live to the nation via Radio Skopje.

From November 15, 1951 till 1954, Tale Ognenovski worked with the 'Police Wind Orchestra.' From 1954 till 1956, he worked with the 'Skopje Public Town Orchestra'. The repertoire for both of these Orchestras consisted of classical music. Tale Ognenovski passed the auditions to join these Orchestras with flying colours. In 1951, and just a day before the audition, the archivist Mitko gave him the music score from a composition including the opera 'Carmen' by Georges Bizet, the opera 'The Troubadour' by Guiseppe Verdi and 'Makedonka' by Ilija Todorovski.

The Director and Conductor Ilija Todorovski was surprised at Tale Ognenovski's extremely impressive degree of skill in interpreting classical music. He introduced him to the pianist Nino Cipushev, who today lives in Switzerland, and together they prepared the concert 'Concert Polka for Clarinet' by Miler Bela with the rhythms Allegro, Andante and Tempo di polka. In December 1952, Tale Ognenovski as clarinet soloist and with Cipushev as piano accompaniment, performed the same concert in the 'Police House' in Skopje with great success.

It was with this magnificent performance that Tale Ognenovski became the first clarinet soloist who had ever performed a classical concert for the clarinet in the Republic of Macedonia. This was an exceptional event in the history of the country's music.

Present at this concert were the composer Gligor Smokvarski, Professor Ilija Nikolovski, the composer, professor and pianist Ladislav Palfi, Ilija Todorovski, Micho Kostovski, Stefan Gajdov, the composer and Director of the School of Music in Skopje, all members of the 'Police Wind Orchestra' and other citizens. Following this very successful concert Tale Ognenovski asked Gligor Smokvarski to make arrangements for the 'Police Wind Orchestra' to play the concert.

On May 24, 1953, the classical concert 'Concert Polka for Clarinet' by Miler Bela, with Gligor Smokvarski's arrangement for the 'Police Wind Orchestra' (comprising about 30 musicians), conducted by Micho Kostovski and with Tale Ognenovski as a clarinet soloist, was performed in the Radio Skopje building and broadcast live to the nation via Radio Skopje.

This classical concert contains some very difficult parts with many cadenzas, which are very difficult for a clarinet soloist to perform, and require great skill. Tale Ognenovski performed magnificently in this concert. In the audience were Stefan Gajdov the composer, Ladislav Palfi the composer, professor and pianist, other composers and other citizens. The concert was a great success and the audience warmly applauded the fascinating playing of Tale Ognenovski on the clarinet and all members of the Orchestra. After the concert, Professor Ladislav Palfi personally congratulated Tale Ognenovski and expressed his hope that they two could work together.

(The source of the above is a letter from Professor Ladislav Palfi dated May 23, 1973, and a letter from Sime Pavlovski and Jordan Canevski, dated May, 1998).

The members of this Wind orchestra were the famous musician and composer Djakonovski Dragan-Shpato, Sime Pavlovski, Jordan Canevski, Petkovski Vasko, Chkatrovski Kire, Zafirovski Metodija, Nikolovski Pero, Anton Dzaja, Asanovic Sherlo, Savo, Chedo, Pavle, Zhivko, Stanko, Domazetovski Nikola, Asanovic Miki, Ristovski Vlasto, Andrej Beljan, Dimitrovski Vlado, Kiro Stoev, Grashic, Simonovski Dzodza, Krapovski Paskal, Nikolovski Tome, Manevski Dimitar and other musicians.

This same concert, with the 'Police Wind Orchestra' conducted by Micho Kostovski and Tale Ognenovski playing solo on clarinet, was performed also in the 'Police House', the 'State Hospital', the restaurant 'Kermes' in Skopje and in other towns in Macedonia such as Resen and Ohrid and, everywhere, these tremendously successful events were significant ones in the musical life of Macedonia during the years 1952-1955. The programme of these concerts in addition included some parts of classical works. These included Bizet's 'Carmen', 'The Troubadour', 'Aida', 'Rigoletto', Verdi's 'Nabucco' and 'La Traviata', 'Oberon' by Carl Maria von Weber, Tchaikovsky's '1812 Overture', Puccini's 'Tosca' and Rossini's 'The Barber of Seville'.

Miler Bela's 'Concert Polka for Clarinet', with the 'Army Orchestra' conducted by Vaso Chelebic, and Tale Ognenovski as clarinet soloist, was performed in the 'Army House' in Skopje in 1953 with great success.

2.  "It is a phenomenon that Tale Ognenovski for every type of music has the right amount of embouchure and
        vibrato, especially for classic music where some circumstances require a totally level tone. It is particularly
        phenomenal that in a second he can change both the colour and the vibrato." - Professor Ladislav Palfi

The standard is that one timbre and one kind of vibrato exclude another colour and another kind... It isn't widely known, in Yugoslavia and around the world in general, that the virtuoso clarinetist Tale Ognenovski is a concert clarinetist. It isn't widely known that he can play other types of music such as jazz, jazz improvisations in the style of Benny Goodman, or Artie Shaw, or dance music.

I know personally that during the years 1952 and 1953, Tale Ognenovski made his debuts on public radio broadcasts on 'Radio Skopje', with concerts of classical music, playing clarinet solo accompanied by the Orchestra conducted by Mico Kostovski and accompanied by the excellent pianist Nino Cipushev... These days, in the magnetic archives of 'Radio Television Skopje', can be found a record demonstrating a successful technical and tonal interpretation of the difficult concert 'FIORI ROSSINIANI' by Ernesto Cavallini that Tale Ognenovski, playing solo clarinet, and with my accompaniment on the piano, recorded and which was broadcast on many occasions by 'Radio Skopje'. The same record has been used for pre-recorded and live television broadcasts of the 'Tale Ognenovski Show'.

We have performed amongst others a concert by Weber in ef-mol, and a concert by Mozart in A Major which is particularly style-sensitive." This was written by the composer and pianist, Professor Ladislav Palfi in a letter dated May 23, 1973.

3.  The television programme 'One clarinet - one life' was shown on 'Radio Television Skopje' on May 19, 1970.
     The programme included part of the Concert 'FIORI ROSSINIANI' by Ernesto Cavallini, with Tale
     Ognenovski performing as clarinet soloist, with piano accompaniment by Professor Ladislav Palfi, the composer
     and legendary classical music and jazz pianist.

The title of this TV programme was 'One clarinet - one life'. In the show Tale Ognenovski played as solo clarinetist, a few Macedonian folk dances with the clarinet and with the pipe ('kavalche') with the accompaniment of the 'Folk Orchestra' ('Naroden Orkestar'), the 'Folk Instrumental Orchestra' ('Orkestarot od narodni instrumenti') and the 'Chalgii Orchestra' ('Orkestarot Chalgii'). In the programme, the conductor Gjoko Georgiev commented, "Tale Ognenovski succeeded in finding his position in Macedonian folk music in a really effective way with irreproachable technique and with unique originality. The Producer of this programme was Blagoja Andreev. Samples of the music were performed by Tale Ognenovski in this programme, including the Concert "FIORI ROSSINIANI" by Ernesto Cavallini, performed by Tale Ognenovski as clarinet soloist with Professor Ladislav Palfi as piano accompaniment, and the Macedonian folk dances 'Brusnichko oro' (composer and clarinet soloist Tale Ognenovski), 'Brusnichko oro' (composer and pipe soloist Tale Ognenovski), 'Nevenino oro' (composer and clarinet soloist Tale Ognenovski), and 'Stevchevo oro' (composer and pipe soloist Tale Ognenovski).

E. Cavallini: Concert "Fiori Rossiniani", soloist on clarinet Tale Ognenovski, accompaniment on piano by Ladislav Palfi (30.79 sec, 170KB)

On May 15, 1979, Tale Ognenovski as clarinet soloist, with Professor Ladislav Palfi as piano accompaniment, performed Mozart's Clarinet Concerto in A Major, K. 622 in the 'Pensioners' House' in Skopje. Melodies from Benny Goodman, Artie Shaw and George Gershwin were also performed. The Concerto by itself was performed in the Hall at the 'Josip Broz Tito' Secondary School in Skopje.

Tale Ognenovski performed Mozart's Clarinet Concerto with the String Orchestra of the Musical Ballet School 'Ilija Nikolovsli-Luj'...
"In 1980, Kiril Spirovski was conducting the orchestra of the Musical ballet school 'Ilija Nikolovsli-Luj'. During the year, he planned to include as part of his repertoire Mozart's Clarinet Concerto in A Major. It was interesting when he told us the clarinet soloist would be the maestro Tale Ognenovski. We were pleasantly surprised because of the fact that a virtuoso maestro of folklore music would be able to play such a well-known concert of classical music. It had been performed many times before at our school. A great number of scholars from our school, students from the Faculty of Musical Art and Professors from both institutions were treated to a wonderful, triumphant performance by the maestro Tale Ognenovski accompanied by the String Orchestra of the Musical Ballet School 'Ilija Nikolovsli-Luj'. Members of the Orchestra included Tomislav Dimov, Jasenka Tomic, Zoran Makevski, Lasko Atanasov, Orce Gelevski, Marjan Pandilovski, Metodija Kavalakovski, Zharko Matovic, Milan Zavkov and Blagoja Morotov." Orce Gelevski, editor of the folk music department in Radio Skopje, wrote this in a letter in May, 1998.
In 1985, Tale Ognenovski as solo clarinetist, accompanied by Professor Ladislav Palfi on piano, performed Carl Maria von Weber's 'Concert Opus 73' in the town of Valandovo.

4.  In the television programme 'One clarinet - one life - Tale Ognenovski', broadcast on July 18, 1987, music from
     Mozart's 'Concerto in A Major for Clarinet and Orchestra, K. 622', and from Wagner's 'Adagio for Clarinet'
     was performed by Tale Ognenovski, solo clarinet with accompaniment on the piano by the excellent pianist
     Tanja Shopova. The programme was broadcast on 'Radio Television Skopje.'

This television programme was called 'One clarinet - one life - Tale Ognenovski'. Tale Ognenovski performed solo many Macedonian folk dances on the clarinet and pipe ('kavalche') accompanied by the 'Folk Orchestra' ('Naroden Orkestar'), 'The Folk Instruments Orchestra' ('Orkestarot od narodni instrumenti') and 'The Chalgii Orchestra' ('Orkestarot Chalgii'). The programme editors were Mile Brzanov and Ljube Cvetanovski, and the producer was Kiril Todevski. Dancers from the Ensemble of Folk Dances and Songs 'Goce Delchev' performed dances.

Included is music from Mozart's 'Concerto in A Major for Clarinet and Orchestra K. 622", and Wagner's 'Adagio for Clarinet' performed by Tale Ognenovski as solo clarinetist with accompaniment on the piano by the excellent pianist Tanja Shopova, and the Macedonian folk dances 'Bukovsko svadbarsko oro' (composer and clarinet soloist Tale Ognenovski), 'Brusnichko oro' (composer Tale Ognenovski), 'Stevchevo oro' (composer Tale Ognenovski) and 'Kasapsko oro' (folk - arranger Tale Ognenovski).

He performed Mozart's 'Clarinet Concerto in A Major K.622', Cavallini's 'Fiori Rossiniani', Wagner's 'Adagio for Clarinet' and Weber's 'Clarinet Concerto Op. 73' with delicate precision of tone, technical brilliance and with great musical and instrumental quality. He was a delight to listen to. The sound he produced was a revelation in just how beautifully the clarinet could be played. In all of these performances, he demonstrated brilliant technique and beautiful tone.

             Wave Audio Samples

W. A. Mozart: Concerto for Clarinet and Orchestra, in A Major,  KV 622, soloist on clarinet Tale Ognenovski, accompaniment on piano by Tanja Shopova (35.56 sec, 197KB)

R. Wagner: "Adagio for Clarinet", soloist on clarinet Tale Ognenovski, accompaniment on piano by Tanja Shopova (33.97sec, 188KB)
 

5.  "One clarinet, one life; Half a century of magic with the clarinet; The clarinet as a life, These are only some of
       the titles of articles in the newspapers that have been written for the clarinet virtuoso Tale Ognenovski who
       plays Macedonian folk dances as superbly as he does classical music by Mozart, Wagner, Cavallini..." from
       the Television programme 'Sunday afternoon', 'Macedonian Radio Television'

In a programme with the title 'Sunday afternoon' shown on 'Macedonian Radio Television' on February 28, 1993, the journalist said about Tale Ognenovski, "One clarinet, one life; Half a century of magic with the clarinet; The clarinet as a life; These are only some of the titles of articles in the newspapers that have been written for the clarinet virtuoso Tale Ognenovski who plays Macedonian folk dances as superbly as he does classical music by Mozart, Wagner, Cavallini..."Besides some Macedonian folk dances, the following pieces of music were included on the programme: Mozart's 'Concert in A Major for Clarinet and Orchestra K. 622' and Wagner's 'Adagio for Clarinet', both performed by Tale Ognenovski as clarinet soloist accompanied on the piano by the excellent pianist Tanja Shopova, and Cavallini's Concert 'Fiori Rossiniani', performed by Tale Ognenovski as clarinet soloist accompanied on the piano by the famous pianist and composer Professor Ladislav Palfi.

6. "Everything that has a connection with the clarinet and this man is far from ordinary. Perhaps it is a miracle, this
      dexterity; perhaps he is a genius, or something more than that...." - Elizabeta Matic on the television
      programme 'Good morning, good day', Macedonian Radio Television.

In the programme with the title 'Good morning, good day' shown on 'Macedonian Radio Television' on December 5, 1993, the journalist Brane Stefanovski said of Tale Ognenovski, "The living legend of the Macedonian clarinet. Tale Ognenovski can easily be recognized from older records of 'Macedonian Radio Television'. Tale Ognenovski's music is amazing, with his melodious, clean quality of tone and interpretations for which he has received recognition from world-famous experts of the clarinet and of Macedonian music.

The journalist Elizabeta Matic commented, "Everything that has a connection with the clarinet and this man is far from ordinary. Perhaps it is a miracle, this dexterity; perhaps he is a genius, or something more than that. Perhaps the reason for this is genetic disposition in his family where his father played the bagpipe ('gajdadjija'), but the fact that his grandfather and great-grandfather had played some folk instrument suggests that talent has developed over the generations to raise the little pipe ('kavalche') player to the highest level reserved for the best. His music is always based on the strict rules of Macedonian folklore...
Tale Ognenovski is an Ambassador in the presentation of the valuable things that Macedonia possesses: Macedonian complex rhythms...The best clarinetist that this country has ever had. The man from whom his followers can learn a great deal..."

In this interview, Tale Ognenovski said that Macedonian folklore is the best folklore in the World, and that the inspiration he received when composing music he got from Macedonian Folk Music.

7. Tale Ognenovski translated whatever came into his head directly into the clarinet.

On June 16, 1998, an interview with Tale Ognenovski was recorded for the television programme 'Good Day, Macedonia' on Macedonian Television. During the interview, the journalist Tatjana Stojchevska Manchevska asked Tale Ognenovski to play some jazz music. He performed some jazz music that he composed right there and then without any prior planning. He demonstrated his amazing musical talent as a clarinet and pipe player and composer performing jazz music on this programme.

8.  The television programme 'Good Day, Macedonia' was dedicated to Tale Ognenovski on the 50th anniversary
     of the founding of the FOLK MUSIC ORCHESTRA of Macedonian Radio Television. An interview with Tale
     Ognenovski

"This year sees the 50th anniversary of the founding of the 'Folk Music Orchestra' of Macedonian Radio Television. The most famous clarinetist Tale Ognenovski has for a long time performed in this Orchestra," said Simona Ugrinovska, Manager of the programme 'Good Day Macedonia'. She added that the interview with Tale Ognenovski had been done by her colleague Tatjana Stojchevska Manchevska. In the programme, first shown on July 1, 1998, then repeated on July 4, 1998, the journalist Tatjana Stojchevska Manchevska said: "Fifty years ago, at the first Macedonian Republic festival of Folk Dances and Songs held during the period October 6-10, 1948, Tale Ognenovski received the First Award as the best clarinetist. If you listen to the music of Tale Ognenovski, this magnificent, unique, talented virtuoso of the clarinet and composer of Macedonian folk dances, you will imagine an exciting folklore story and sense unparalleled technique in the musical expression of this folk genius. With his maestro, solo improvisations Tale Ognenovski made performances of Ensemble 'Tanec' the most successful they could be. The most significant debut in his rich career was in the famous Carnegie Hall on January 27, 1956.

"The artist must adopt the artistic rules perfectly, to be able to break them afterwards." This comment by Michelangelo described the talent that Tale Ognenovski possessed...In a perfect way he interpreted Mozart, Wagner and Cavallini, and jazz improvisations in the style of Benny Goodman and Artie Shaw.

Tale Ognenovski has composed 150 Macedonian folk dances..."

In this television programme, Tale Ognenovski said, "I received the First Award for Clarinet as the best clarinetist at the First Republic Macedonia Festival of Folk Dances and Songs in Skopje in 1948. Then Mr. Vasil Hadzimanov and Mr. Nikolaj Galevski from Radio Skopje invited me to become a member of the Folk Orchestra in Radio Skopje. I joined the Folk Orchestra of Radio Skopje for two months, from November 1,1948, till December 30, 1948. Later, in 1960, I joined the Folk Orchestra of Radio Skopje again. I became head of the Folk Orchestra of Radio Skopje in 1966 for one year, and then in 1967, I retired. Later I was invited by Music Production of Radio Television Skopje to perform as additional music force with the 'Chalgii' Orchestra. With that Orchestra I had great success at the International Folklore Conference in Istanbul, Turkey, where Mr.Dushko Dimitrovski presented some folklore material (recorded on magnetic tapes) that included the Macedonian folk dances, my arrangement 'Kasapsko oro' and my composition 'Kumovo oro chochek'. I performed these on solo clarinet. This folk music created great interest among the participants at the Conference, and later the folk material was presented in a special programme on Belgian Radio. In France with Ensemble 'Tanec' we performed concerts in 58 towns in 1959. We had remarkable success. Mr. Raymond Guillier, Manager of the Tour and Director of his own company  ("Les grands spectacles internationaux - Les productions Raymond Guiller") from Paris said that he was fascinated by my clarinet playing and told me that my contribution towards the tremendous success of Ensemble 'Tanec' was considerable. In an interview with the newspaper 'Vecher', he said that he wanted to present the Ensemble in France every year. He said that everything that 'Tanec' played in the spirit of Macedonia he didn't believe any other Ensemble in the world could perform, and the reason for that was that the girls and boys from 'Tanec' invested their whole heart in the dance, and that an example of that was my playing on the clarinet..." "I made my classical music debut in December 1952, playing as clarinet soloist the concert 'Concert Polka for Clarinet', accompanied by the pianist Nino Cipushev. On May 24, 1953, this concert accompanied by the 'Police Wind Orchestra' (the arrangement for the Orchestra was made by Gligor Smokvarski) was broadcast nationally via Radio Skopje. We performed this and other concerts when we toured Macedonia. Later, for Radio Skopje, I recorded the concert 'Fiori Rossiniani' by Ernesto Cavallini, with piano accompaniment by Professor Ladislav Palfi. Later, in 1970, this concert was shown in my television programme 'ONE CLARINET, ONE LIFE'. With piano accompaniment by Professor Ladislav Palfi, I performed concertos by Mozart, Weber, and others, and I recorded for Radio Skopje the concertos by Mozart and Wagner, with Tanja Shopova...", said Tale Ognenovski.

Question: "Can you play some jazz music on this programme?"

Tale Ognenovski: "With pleasure."


Macedonian Clarinet Jazz Composed by Tale Ognenovski CD Baby Amazon.com CD Universe iTunes The Orchard MySpace Music
MOZART and OGNENOVSKI Clarinet Concertos CD Baby Amazon.com CD Universe iTunes The Orchard MySpace Music
Jazz, Macedonian Folk Dances and Classical Music CD Baby Amazon.com CD Universe iTunes The Orchard MySpace Music

The three CD albums from Independent Records are produced by Tale Ognenovski and Stevan Ognenovski and are distributed by  CD Baby and The Orchard.

Amazon.com MP3 Downloads of Albums of Tale Ognenovski:

MP3 Albums:



Macedonian Clarinet Jazz Composed by Tale Ognenovski  

Jazz, Macedonian Folk Dances and Classical Music  

Mozart And Ognenovski Clarinet Concertos  
MP3 Album MP3 Album MP3 Album

Tale Ognenovski  Biography at:

Wikipedia

http://en.wikipedia.org/wiki/Tale_Ognenovski
AllAboutJazz.com http://www.allaboutjazz.com/php/musician.php?id=1699
MySpace.com http://www.myspace.com/taleognenovskiclarinetist
CITIZENDIUM http://en.citizendium.org/wiki/TI:Tale_Ognenovski

Tale Ognenovski
at YouTube


Tale Ognenovski Clarinet Solo - Brusnichko Oro Macedonian Folk Dance    http://www.youtube.com/watch?v=rfM97pOp23M

Tale Ognenovski Clarinet Solo - Bukovsko Svadbarsko Oro Macedonian Folk Dance     http://www.youtube.com/watch?v=uZvuHuLswaI

Tale Ognenovski plays Mozart Clarinet Concerto in A Major, K.622: Allegro    http://www.youtube.com/watch?v=9390xDUuPuU

Tale Ognenovski Concert for Clarinet No. 1  - Macedonian Classical Clarinet Solo    http://www.youtube.com/watch?v=6hJqfSv3Jnc

Tale Ognenovski Jazz Composition No. 1 - Macedonian Jazz Clarinet Solo    http://www.youtube.com/watch?v=B5v68GMLaCs

Tale Ognenovski Jazz Composition No. 6 - Macedonian Jazz Clarinet Solo
    http://www.youtube.com/watch?v=eJkibqVfE5I

Tale Ognenovski Jazz Composition No. 7 - Macedonian Jazz Clarinet Solo   http://www.youtube.com/watch?v=eK4wLnpPlNw  

Ognenovski's performance is the most beautiful and the fastest performance of Mozart's clarinet concerto of all time.

In this sensational recording the clarinet is accompanied by second clarinet (performed and arranged by Tale Ognenovski). Tale Ognenovski performed the Concerto on a standard-range A clarinet (Buffet Crampon). Clarinet solo parts of this recording are performed according to Breitkopf & Hartel edition (Publisher’s no.: Nr. 2300). Perhaps this is unique recording where every notes of measure numbers III/311-313 from the Third movement: Rondo: Allegro are played by Tale Ognenovski exactly as they are written in Breitkopf & Härtel edition. (Time: 09:29 – 09:34 in this recording). The full, wonderful sound of the modern A clarinet is rich and Ognenovski's playing is superb, with good tempo and intonation throughout.

Mozart Clarinet Concerto in A Major K.622 Rondo Allegro Performed by Tale Ognenovski

http://www.youtube.com/watch?v=gbUqKvpmPfU


Breitkopf & Hartel is the world's oldest music publishing house. The firm was founded in 1719 in Leipzig by Bernhard Christoph Breitkopf (1695-1777). The catalogue currently contains over 1000 composers, 8000 works and 15,000 music editions or books on music.

NME.com feature on Breitkopf & Hartel including YouTube music video: "Tale Ognenovski Mozart Clarinet Concerto in A K.622 III. Rondo Allegro (final movt)" as selection from Breitkopf & Härtel, the world's oldest music publishing company. NME.COM is Web site of music magazine NME.

http://www.nme.com/video/id/gbUqKvpmPfU/search/Breitkopf%20&%20Hartel

http://www.nme.com/artists/breitkopf-and-hartel


Music Industry News Network – Music Events: Macedonian Clarinetist Tale Ognenovski - Jazz Musician Of The Day: April 27, 2010 At AllAboutJazz.com

http://mi2n.com/press.php3?press_nb=129695



AllAboutJazz.com Publicity News:

Posted: 2010-04-27

Jazz Musician of the Day - April 27, 2010: Tale Ognenovski

http://www.allaboutjazz.com/php/news.php?id=54768

All About Jazz celebrated Tale Ognenovski's birthday April 27, 2010, with All About Jazz recognition: Jazz Musician of the Day - April 27, 2010 Tale Ognenovski was born in the village of Brusnik near Bitola in the Republic of Macedonia on April 27, 1922.

All About Jazz recognition: Jazz Musician of the Day - April 27, 2010 was announced at http://www.allaboutjazz.com/php/news.php?id=54768 All About Jazz

All About Jazz is a leading jazz music website for enthusiasts and industry professionals based in Philadelphia in the United States.

Tale Ognenovski received All About Jazz recognition: Jazz Musician of the Day first time on April 27, 2009.


Newspaper Spic, Republic of Macedonia

Valentina Gorgievska of the newspaper Spic wrote: "Macedonian Music Virtuoso Tale Ognenovski received second time All About Jazz recognition: Jazz Musician of the Day on April 27, 2010, the day of his 88th birthday... This is great recognition and for such recognition in the days when you were born, whether at that moment they were alive or deceased, received the other the most famous jazzers of all time - Benny Goodman, Miles Davis, Artie Shaw, Sidney Bechet, Duke Ellington, Ella Fitzgerald and others. Article: "Tale Ognenovski - Jazz Musician of the Day", April 30, 2010, Skopje, Republic of Macedonia.



Music Industry News Network – Music Events: Clarinetist Tale Ognenovski - Jazz Musician Of The Day: April 27, 2009 At AllAboutJazz.com

http://www.mi2n.com/press.php3?press_nb=120961


AllAboutJazz.com Publicity News:  
Jazz Musician of the Day - April 27, 2009: Tale Ognenovski

http://www.allaboutjazz.com/php/news.php?id=34707


Jazz Musician of the Day: Tale Ognenovski
Posted: 2009-04-27
All About Jazz is celebrating Tale Ognenovski's birthday today!


Tale Ognenovski was born in the village of Brusnik near Bitola in the Republic of Macedonia on April 27, 1922. Tale Ognenovski is the greatest clarinetist, reed piper, zourlist and small bagpiper of all time, demonstrating unique skill... more
Tale Ognenovski at All About Jazz



Article written by Valentina Gorgievska, entitled:  “At All About Jazz - The World's Largest Jazz Music Website - Jazz Musician Of The Day: Tale Ognenovski”, Vreme, Skopje, Republic of Macedonia, July 6, 2009. http://www.vreme.com.mk/DesktopDefault.aspx?tabindex=6&tabid=1&EditionID=1749&ArticleID=117172

Interview with Tale Ognenovski  for TV A1 – National TV in Republic of Macedonia. Interviewer: Aleksandra Bubevska, 09.07.2009, 16:02


http://a1.com.mk/vesti/default.aspx?VestID=111214


Tale Ognenovski at Wikipedia – The Free Encyclopedia
"One of the most renowned Macedonian clarinet players is Tale Ognenovski, who gained worldwide fame for his virtuosity.

http://en.wikipedia.org/wiki/Clarinet


Tale Ognenovski at Clarinet-Now.com, Famous Clarinet Players – World

Macedonia - The famous clarinet player from Republic of Macedonia, Tale Ognenovski played the clarinet as a Macedonian folk instrument and became famous worldwide with his work. Hear more from Tale on iTunes

http://www.clarinet-now.com/famous-clarinet-players.html

Tour of North America and Carnegie Hall concert
The popularity of the Ensemble Tanec's music in Europe brought with it increasing press attention in North America before and during the tour of North America. The major newspapers  published articles:
 


YUGOSLAV BALLET TO APPEAR IN U. S.; National Folk Unit, Planning 15-Week Tour, Will Make Debut Here in January
     The New York Times
"The Yugoslav National Folk Ballet will begin a fifteen-week tour of the United States in January, under the auspices of Consolidated Concerts Corporation and the International Music Institute. This will be the first large-scale dance company from a former Iron Curtain country..."
- By The New York Times,  November 15, 1955.

THE DANCE: DIRECTION; CHOREOGRAPHIC VIGOR FROM MACEDONIA    The New York Times
The Ensemble arrived in New York City on January 21, 1956. The following day, on January 22, The New York Times commented, "Members of the Yugoslav National Folk Ballet dancing on board the liner Israel yesterday, after they arrived here... The forty-member group, which has attracted much attention in Europe, will give a recital in Carnegie Hall on Friday evening...The company will perform folk dances from Macedonia, Croatia, Herzegovina, Albania and Serbia in native costume."
- By John MartinThe New York Times, January 22, 1956.

Great Variety of Dance in Yugoslav Folk Ballet
     Daily Boston Globe
"The word, Tanec, means Dance in Macedonian, all kinds of dance. And the repertory of Tanec, the Yugoslav National Folk Ballet, in the United States and Canada as the first artistic import from the new Yugoslavia, Illustrates that meaning in its broadest sense... " - By Daily Boston Globe - Boston, Mass., January 22, 1956.

Yugoslav Ballet Booked Here     The Washington Post and Times Herald
"The Yugoslav National Folk Ballet will be presented for one night only at Constitution Hall on Thursday, Feb. 9. This company of Balkan singers, musicians and folk dancers has been on tour in Europe and currently is preparing for its New York bow... " - By The Washington Post and Times Herald  - Washington, D.C.
, January 22, 1956

TV debut of "Tanec” on CBS
The
North America tour began on January 22, 1956, and finished on April 12, 1956. Ensemble "Tanec" performed 65 concerts in 50 cities. 
‘Tanec’s American tour began with their debut on one of the most popular television programmes in the United States, the Ford Foundation TV Programme "OMNIBUS", on January 22, 1956. This programme was seen by millions of Americans. This TV debut of ‘Tanec’ on CBS (Columbia Broadcasting System) Television Network, one of the largest radio and television broadcasting companies in the United States, created great interest in all 65 concerts in many towns throughout the United States.

A copy of this programme may be viewed free of charge on a videocassette at the Library of Congress in Washington, D.C.

On the LIBRARY OF CONGRESS’ Internet Web site, http://catalog.loc.gov with Keyword = Ansambl za narodni igri i pesni Tanec is written:

Main Title: Omnibus. IV, vol. 15 / TV-Radio Workshop of the Ford Foundation; Producer, Robert Saudek.

Published/Created: United States: CBS Television Network, 1956-01-22

Library of Congress   http://lccn.loc.gov/88705799


Tale Ognenovski performed as virtuoso clarinet and reed pipe soloist in Folk Dances in the world-famous Carnegie HallNew York a symbol of artistic excellence, on January 27, 1956. with Macedonian Ensemble “Tanec”.
Tale Ognenovski played as virtuoso clarinet and reed pipe (recorder) soloist for most parts of the programme, including the Macedonian folk dances "Bride's Dance" ("Nevestinsko Oro"), "Chupurlika", "Sopska Poskocica" ("Shopska Podripnuvachka"), "Kopachka", "Shepherd's Dance" ("Ovcharsko Oro"), "Soborski Igri", Macedonian songs, Serbian folk dances and songs and "Shote", an Albanian folk dance.

The New York Times for Ognenovski's performances as reed pipe (recorder) player wrote "raucous and unforgettable pipe", Article entitled "Ballet: Yugoslav Folk Art; 'Tanec' Dancers Appear at Carnegie Hall in Display of Tremendous Skill",  written by music critic John Martin (January 28, 1956), and "dateless reed pipe", Article entitled "THE DANCE: FOLK ART; Group From Yugoslavia In Impressive Debut Learning vs. Magic No Macedonian Monopoly The Week's Events",  written by music critic John Martin, The New York Times. (February 5, 1956).

Allmusic's reviewer, Craig Harris, noted: "The only professional folklore ensemble in Macedonia, the Tanec Ensemble are dedicated to the preservation of traditional Macedonian music, dance, and costuming. Founded by the government of the People's Republic of Macedonia in 1949, the group has shared their musical heritage with audiences around the world for more than half a century, performing an estimated 3,500 concerts in 31 countries'... The ensemble reached their peak during the late '50s, when influential clarinet and pipes player Tale Ognenovski was a member..." "Biography of Ensemble Tanec"

The great contribution of Tale Ognenovski for tremendous success of Ensemble "Tanec" at North America tour can be seen in the published articles in major North American newspapers:

"Venerable Carnegie Hall fairly vibrated as the audience blistered its palms in appreciation..." - By Robert Coleman,  New York Daily Mirror, January 28, 1956

"Last night this Yugoslav National Folk Ballet preluded a transcontinental tour at Carnegie Hall. This is the freshest, gayest, most expert dance affair that has come over the horizon in years… We have been afforded many novelties from the Orient and the Occident but none of them won a more enthusiastic reception than the Yugoslav National Folk Ballet..." - By William HawkinsNew York World Telegram, January 28, 1956  

Yugoslav Folk Ballet
      New York Herald Tribune
"And these antique measures, accompanied sometimes by a shepherd's pipe … Tanec, a Macedonian group of some forty dancers and musicians, gave generously of their rich folk heritage... An audience which jammed Carnegie to capacity (the house had been sold out by last Monday) cheered and applauded the folk dancing with as much enthusiasm as if it had been witnessing classical, theatrical ballet at its most glittering." ..." - By Walter TerryNew York Herald Tribune.
, January 28, 1956

   Ballet: Yugoslav Folk Art; 'Tanec' Dancers Appear at Carnegie Hall in Display of Tremendous Skill     The New York Times
"The Yugoslav National Folk Ballet ‘Tanec’, which has been touring Europe with great success, made the reason quite clear last night in a performance at Carnegie Hall that was a joy and delight...This particular group, part of a national movement toward the revival of the folk arts, comes from Macedonia, but its dances and songs come also from Serbia, Croatia and Dalmatia...Among them are the endless vivacity and the tremendous skill of a thoroughly ingratiating company and some brilliantly spectacular and wonderfully unfamiliar dances. To be sure, they possess all the qualities common to folk dancing, but they have great individuality and a wide variety besides... In number after number they do rapid and fairly incredible phrases with inexhaustible vigor... and some remarkable music on both orthodox and unorthodox instruments - a raucous and unforgettable pipe...The evening is not only wonderful art but also a superb show. Surely one performance in New York is not enough. The house was completely sold out, and others no doubt would follow the same pattern..." - By John MartinThe New York Times,
, January 28, 1956

REVIEWS OF Yugoslav National Folk Ballet Carnegie Hall January 27, 1956      Dance Observer
"The capacity audience at Carnegie Hall on January 27 for the single New York performance of Tanec, the Yugoslav National Folk Ballet, enjoyed a fascinating cross-section of over 2000 years of human history and culture. Tanec is a Macedonian group,..." - Dance observer: Volumes 23-24, April, 1956. 


On the Aisle - Yugoslav Ballet a Colorful Addition to International Dance      Chicago Daily Tribune
"
IF IT EVER COMES to an all out global brawl, I want the Yugoslavs on my side. That is, if the Yugoslav National Folk Ballet, which spent the week-end in the Civic Opera house, is a fair sample... Called Tanec, which is the Macedonian word for dance, this group of 37 dancers, singers and musicians is a kaleidoscope of the Balkans... When five of them dance the "Sopska Poskocica", which apparently just means they are showing off to the girls. I would keep them any day as a unfair trade for the four little swans in "Swan Lake"..." - By Claudia Cassidy,  Chicago Daily Tribune, , February 6, 1956.

Yugoslav Ballet Visits Academy       The Philadelphia Inquirer
""Tanec" means "dance", but "dance" in a larger form than customary. Besides dance alone, it conveys drama, ritual, tradition, songs, even military maneuvers...there was a remarkable precision in both dancing and playing...Clarinet, bass fiddle, violin, drums, guitar and flute provided most of the accompaniments in various combinations..." - By   Samuel SingerThe Philadelphia Inquirer, February 8, 1956.

Yugoslav Dancers Shoot the Works      The Washington Post and Times Herald
 "
A Sopska Poskocica is devised to show the girls how handsome and wonderful and brilliant and exciting and sensational their man friends are. The rate at which it is danced, and the tremendous energy and precision of six men who dance it, is unique and demanded a repetition ... If you see "Tanec" which simply means "Dance" advertised again, you won’t want to miss it... " - By Paul Hume,The Washington Post and Times Herald - Washington, D.C., , February 10, 1956.

Music in Toronto
      The Globe and Mail
"The first impression, however, must be one of rhythmic precision... Nor was the performance without spectacle... in the case of one dance, Sopska Poskocica it was no more than a show-off dance. As such it was highly effective ... " - By John Kraglund, The Globe and Mail (TorontoCanada),
, February 14, 1956

Yugoslav National Folk Ballet

'A Breath of Mountain Air'
               Christian Science Monitor
"FRESH AS A BREATH of mountain air comes Tanec, the Yugoslav National Folk Ballet, now on its first American tour. Tanec means dance--including drama, song, and music--and that's what the company of some 40 members (who are interchangeably dancers, singers, and musicians) does... " - By Margaret Lloyd Dance Critic of Christian Science Monitor - Boston, Mass.,
, March 2, 1956

The Boston Globe Feature Vacation Section
EUROPEAN FESTIVALS Every Country Has Its Own Folk Art
     Daily Boston Globe
"Many an American who has never crossed the Atlantic is getting his first taste of European folk art this season, thanks to the celebrated Yugoslav National Fol Ballet, now on a Winter-Spring tour of principal... " - By Daily Boston Globe - Boston, Mass.
, , March 4, 1956.

Yugoslav Ballet Proves Folk Dancing ‘Tricky’
      San Francisco Chronicle
"The music itself - including several indigenous instruments - is worth the price of the show, and never more so than in a number titled simply "Macedonian Tune", which in its intricate rhythms and plaintive melody should at least make Dave Brubeck send out an emergency call for Darius Milhaud..." - By R. H. Hagan, San Francisco Chronicle,
March 8, 1956.   

Yugoslav Folk Ballet Opens Engagement
     Los Angeles Times
"
The Yugoslav National Folk Ballet -- known at home as Tanec--excited a large audience... For authentic folk dancing, wild and free and yet subject to its own intricate disciplines, this group would be hard to beat. It numbers over 30 dancers, singers and musicians and they do the dances of Macedonia, Croatia, Serbia, Herzegovina and Albania in native costumes with superb vitality and style … They are accompanied by a group of musicians consisting of a violinist, guitar and accordion players, a flutist, a clarinetist and double bass, though drums of different types are frequently involved, as well as a shepherd's reed pipe..." - By Albert Goldberg, Los Angeles Times, , March 13, 1956.

THE DANCE: FOLK ART; Group From Yugoslavia In Impressive Debut Learning vs. Magic No Macedonian Monopoly The Week's Events     The New York Times
" Everybody knows, of course, that folk dancing is entirely for participation, and has no value at all as spectacle; everybody knows it, that is, until something like the Yugoslav National Folk Ballet, "Tanec", comes
along and puts on a stunning show that any set of spectators would find hard to resist... There is an amazing variety to the dances that comprised this particular program... And this flowering is in terms of movement that compasses a thousand different shades of dynamics, of elevation, of rapidity, of aplomb, of spatial range, of conscious virtuosity, of total strangeness and exoticism of texture... There is equal interest in the curious musical instruments that accompany many of the dances... a dateless reed pipe.", February 5, 1956 - By John Martin, The New York Times, February 5, 1956. 

DANCE
BOUNCING BRIGANDS

Yugoslavs come to U.S.
   LIFE
"A hundred years ago on the rugged roads of Macedonia, bands of brigands used to plunder the caravans of rich merchants and, like Robin Hood, pass on some of their spoils to the poor... the Yugoslav National Folk Ballet which this spring is making a first, and highly successful, tour of the U.S...Together they make as vigorous a display of dancing as the U.S. has ever seen..." - By Life (magazine), April 9, 1956 (pp 173)


THE DANCE: REVIEW; SOLOIST WITH DANCE GROUP     The New York Times
On May 20, 1956, summing up the performances of soloists and dance groups including Ensemble "Tanec", The New York Times's music critic John Martin identifies last season as unpredictable, strong, international and creative innovation. He writes, "Looking over one's shoulder at the season just closed, as is conventional practice at this time of year, one is impressed most of all by its general obstreperousness. It was fecund, unpredictable, energetie, international, creative,..." - By
John Martin, The New York Times, May 20, 1956

Tour of France
Tale Ognenovski was virtuoso clarinet and reed pipe (recorder) soloist with Ensemble "Tanec" during their tour of France from September 20 until November 25, 1959. They performed 83 concerts in 58 towns and cities in France. The Ensemble twice had performances broadcast on television, on September 21 and 22, 1959.  20 million people would have seen them on the most popular programme on Television in France. Radio Paris recorded a 45-minute programme of Macedonian folk dances and songs. The first concert in France was performed on the stage of the Grand Palais in Bourges on September 23, 1959.

France press
Hier soir au GRAND-PALAIS BRILLANTE "PREMIERE" des Ballets de Macedoine - Yesterday evening in GRAND-PALAIS Brilliant first performance of National Ballet of Macedonia

"Everyone in the audience applauded as if they were four people, and the Macedonian National Ballet left a great impression in Bourges.... The quality and talent of this group is admirable... At the end of their concert, the members of Ensemble "Tanec" remained on stage and were applauded by the Bourges audiences for more than quarter of an hour..." - By Le Berry Republicain, Bourges, France. September 24, 1959.

Hier soir a Bourges, La "premiere" nationale des Ballets de Macedoine a remporte un enorme succes - Yesterday evening in Bourges, The first national Ballet of Macedonia achieved tremendous success
"The first performance of the National Ballet of Macedonia was a tremendous success. Everyone in the hall applauded with enthusiasm, here in the "Grand Palais" in Bourges at the first performance in France of the National Ballet of Macedonia... The first performance in Bourges was a spectacle.", ..." - By La nouvelle republique du Centre, Bourges, France. September 24, 1959.

Macedonian press

Vashata igra me fascinira - Your dance fascinates me
In an interview with newspaper "Vecher", Republic of Macedonia published on September 14, 1964 Raymond Guillier, Manager of Ensemble "Tanec" tour in France, 1959 said: "Everyone who went to the concerts by Ensemble "Tanec" in Paris and other towns and cities in France during the tour in 1959 of a little over two months was fascinated … What "Tanec" is playing in the spirit of Macedonia, believe me no other Ensemble in the world can perform ... I know that the clarinetist Tale after every concert played clarinet solos and amused us well into the early hours. This hasn't been the case with any other member from any other Ensembles." - By M. Georgievski, Vecher (SkopjeRepublic of Macedonia), September 14, 1964.


Tale Ognenovski in the books and encyclopedias:

Za Nasha Muzika (For Our Music);
Author:
Dushko Dimitrovski; Publisher: BID "Misirkov" (1994), Republic of Macedonia; Language: Macedonian; ISBN 9989-600-01-5  - " The prodigy, however, is called Tale Ognenovski ... The impossible becomes possible: two, "usually non-complimentary" parallel-existing worlds of sounds - Europe - The Orient - are in Tale Ognenovski's music naturally brought closer together, understand each other and merge. Has Ognenovski's ingenuity in advance not done something that with the power of empirical palpability and outright proof, will convince us that Macedonia - with the power of both worlds of melodies being borne and present in her galaxy of sounds - is the one predetermined to play the role of a tonal catalyst for the future universal connection and natural mixing and circulation of the creative idea of East - West - East?" ( pp 114-116)

 Rough Guide to World Music Volume One: Africa, Europe & The Middle East;
Simon Broughton (Author), Mark Ellingham (Author), Publisher: Rough Guides; 2nd edition (February 7, 2000); Language: English; ISBN-10: 1858286352; ISBN-13: 978-1858286358 - "One of the few clarinettists to have performed successfully both with a calgia and in the more modern style is Tale Ognenovski, born in 1922 and one of the most influential musicians of the post-war era. He was a member of the Tanec group during the 1950s and lead clarinet of the Radio Skopje calgia. The composer of many tunes that have become standards, he is today the leader of his own group, and a master of the more Westernised style that become prominent in the 1940s and 50s. This is the style that still holds sway, and which is the basis for Macedonia's own new composed folk music." (pp 203)

 Tale Ognenovski Virtuoso of the Clarinet and Composer;
Author:
Stevan Ognenovski, M.Sc.,  Publisher: Matica Makedonska, Skopje, Republic of Macedonia (2000); Language: Macedonian and English; ISBN 9989483124 ; 406 pages (format A4) - "Tale Ognenovski is one of the greatest instrumentalists and composers in the world of music. He made the connection between Oriental and Western Music. He has composed and arranged 150 Macedonian folk dances, one classical concert "Tale Ognenovski Concert for Clarinet No. 1" and number of jazz compositions. Some of his compositions have been recorded on 11 LPs, 11 cassettes, 10 gramophone records, and one videotape (RTB, Jugoton and Macedonian Radio Television). Tale Ognenovski's numerous musical works belong to different genres; together, his folk dances and classical and jazz compositions established the clarinet as an instrument capable of the highest range of expression in solo music. ... He is the greatest clarinetist of all time, demonstrating unique skill, a wealth of invention, amazing improvisational virtuosity and outstanding musical competence in all areas of music." (pp 6-9)

Lichnosti od Makedonija (Distinguished People from Macedonia);
Authors: Petar Karajanov, Hristo Andonovski, Jovan Pavlovski;
Publisher: MI-AN (2002), Republic of Macedonia; Language: Macedonian; ISBN 9989-613-28-1 - "...Tale Ognenovski composed and arranged 150 Macedonian folk dances. With his performances with Ensemble "Tanec" at Carnegie Hall in New York City he received his first international success... (pp 233)

Britannica  Concise Encyclopedia;
2005 Encyclopedia  Britannica, Inc; Publisher: Toper and Media Print Makedonija, Skopje, Republic of Macedonia Language: Macedonian; ISBN 9989-165-12-2 - "Ognenovski, Tale - Clarinetist and composer, born in village Brusnik, Bitola. As clarinet and reed pipe virtuoso he reached international success with his performances with National Ensemble "Tanec". He composed hundred folk dances... " (pp 66, book 7)

ZNACHAJNI LICHNOSTI ZA BITOLA (DISTINGUISHED PEOPLE FOR BITOLA);
Authors:
Lence Andonovska, Naume Gorgievski, Blagoj Nikolov, Trajko Ognenovski, Gordana Pesevska, Aneta Stefanovska, Svetlana Taleska, Publisher: NUUB “St. Clement Ohridski” – Bitola and Municipality of Bitola (2007), Republic of Macedonia; Language: Macedonian and English; ISBN 978-9989-2783-0-3 - "Ognenovski, Tale (1922), Macedonian clarinetist , one of the most important Macedonian folk musicians; belong to the line of the biggest instrumentalists and composers in the world music. He made the connection between the oriental and the western music and represents one of the biggest exponents of the composing for a clarinet. He has composed and arranged 150 Macedonian folk dances, one classical concert “T.Ognenovski concert for clarinet number 1” and many jazz compositions. Tale is one of the best representatives in playing of a clarinet with special technique, inventiveness and amazing improvisation virtuosity..." (pp 161-162)

Tale Ognenovski 
Lambert M. Surhone (Editor), Mariam T. Tennoe (Editor), Susan F. Henssonow (Editor)
Product Description: The content of this book primarily consists of articles available from Wikipedia or other free sources online. Tale Ognenovski (Macedonian: Тале Огненовски) (born April 27, 1922) is a Macedonian multi-instrumentalist: clarinet, reed pipe (instrument) (recorder), tin whistle, small bagpipe, zourla (zurla) and drum, composer and bandleader. On January 27, 1956, he performed at Carnegie Hall, New York City as clarinet and reed pipe (recorder) soloist of Macedonian State Ensemble of Folk Dances and Songs "Tanec".

Product Details: Paperback: 92 pages

Publisher: Betascript Publishing (March 2, 2011)

Language: English; ISBN-10: 613507024X; ISBN-13: 978-6135070248.

Betascript Publishing is part of VDM Publishing Group based in Saarbrücken, Germany.
VDM Publishing specializes in German, Russian, Spanish, French and English dissertations, theses and research projects. VDM Publishing is one of the leading publishing houses of academic research.


"Influential Clarinet and Pipes Player Tale Ognenovski" - All Music Guide
'
"The only professional folklore ensemble in Macedonia, the Tanec Ensemble are dedicated to the preservation of traditional Macedonian music, dance, and costuming. Founded by the government of the People's Republic of Macedonia in 1949, the group has shared their musical heritage with audiences around the world for more than half a century, performing an estimated 3,500 concerts in 31 countries ... The ensemble reached their peak during the late '50s, when influential clarinet and pipes player Tale Ognenovski was a member." - Craig Harris, All Music Guide

http://www.allmusic.com/artist/p509257


"Tale Ognenovski is always  environed with love of his son Stevan Ognenovski and daughter in law Margarita Ognenovska." - Article written by Rumena Ravanovska-Tulbevska, entitled: "World Jazz Musician of the Day Tale Ognenovski", Tea Moderna, Skopje, Republic of Macedonia, July 29, 2009.


AllAboutJazz.com Publicity News: 

Tale Ognenovski, Internationally Renowned Clarinetist on YouTube


SOURCE: AllAboutJazz.com Publicity   

Posted: 2009-04-12  http://www.allaboutjazz.com/php/news.php?id=33817



CD: “Jazz,  Macedonian Folk Danced and Classical Music”

Tour of North America and Carnegie Hall Concert

Brilliant Career

Awards and Honors

 

The Film "Rhythm and Sound”, 1955

Songs with famous singers

NEW CD: “MOZART and OGNENOVSKI Clarinet Concertos”

Tour of Germany

International Folklore Conference in Istanbul, Turkey,  1977

Sounds - Europe - The Orient

Press releases

Tale on age 4

 

NEW CD: “Macedonian Clarinet Jazz Composed By Tale Ognenovski”

Tour of France

Book: “Tale Ognenovski Virtuoso of the Clarinet and Composer”

600th anniversary of the founding of the village of Brusnik

Classical Music since 1952

Metro Goldwyn Mayer studio

Discography

Tour of Switzerland

11 Oktomvri Award

Extraordinary clarinetist

Feedback

Email address

First Award at the Yugoslav Folk Music Festival in Opatija, Croatia, 1951.
Conference of the International Folk Music Council


First Award for Clarinet as a top clarinetist at the First Republic of Macedonia Festival of Folk Dances and Songs, 1948


Biography of Tale Ognenovski at All  About Jazz

 





All About Jazz Jazz News: Macedonian Clarinet Jazz Composed by Tale Ognenovski - CD to Celebrate the 85th Anniversary of His Birthday, April 27, 2007 Top40-Charts.com: “Tale Ognenovski, Internationally Renowned Jazz And Classical Clarinetist Released CD Album Entitled: Mozart And Ognenovski Clarinet Concertos To Celebrate The 250th Anniversary Of Mozart's Birthday”   




Tale Ognenovski Biography at
CITIZENDIUM

Tale Ognenovski - Wikipedia

http://en.wikipedia.org/wiki/Tale_Ognenovski
Clarinet - Wikipedia
"One of the most renowned Macedonian clarinet players is Tale Ognenovski, who gained worldwide fame for his virtuosity.”
http://en.wikipedia.org/wiki/Clarinet


CV of Stevan Ognenovski, Mag.Scient., Magister Scientiarum (Magister of Science in Computer Science), author of the Web site of Tale Ognenovski, Musical Genius, Clarinetist and Composer

ABOUT THE AUTHOR

                                                         T H E  A U T H O R
  Stevan Ognenovski, Mag.Scient., Magister Scientiarum (Magister of Science in Computer Science)

      Born in 1948 in the village of Brusnik near Bitola, Republic of Macedonia.


EDUCATION
Stevan Ognenovski received his Diplom-Ingenieur (Dipl.-Ing.),  degree in electronics engineering (Graduate Engineer, Dipl.-Ing. - This degree is equivalent to a Master's degree (M.Sc.), Level 7.1  according to the European Qualification Framework (EQF) in 1974 and a Magister of Science (Magistar nauka/znanosti  - Level 7.2 or Level 8.1 according to the European Qualification Framework (EQF) degree in Computer Science in 1991, both from the Faculty of Electrical Engineering, University of ZagrebCroatia

In 1994, the Faculty of Electrical Engineering changed its name becoming the Faculty of Electrical Engineering and Computing (FER).

Degree: Magister of Science in Computer Science (MAGISTAR ZNANOSTI iz oblasti TEHNICKIH ZNANOSTI, podrucja RACUNARSKIH ZNANOSTI smjer JEZGRA RACUNARSKIH ZNANOSTI - MAGISTER SCIENTIARUM ad SCIENTIAS TECHNICAS - SCIENTIAS COMPUTANDI SCIENTIARUM COMPUTANDI NUCLEUM). Diploma No.:Ab/80-27. EL 3350/91. (March 7, 1991)
Magister's thesis (Magistarski rad -  Magisterii disputationem): “Software programs for measurement of the network traffic in the local area network” (PROGRAMSKA POMAGALA ZA MJERENJE PROMETA U LOKALNOJ MREZI).
Mentor
: Prof.dr. sc. Leo Budin (Member of CROATIAN ACADEMY OF SCIENCES AND ARTS).  Information about Magister’s Science Thesis of Stevan Ognenovski can be found at Web site: http://www.mzos.hr/svibor/2/06/278/rad_e.htm#rad9 (and http://www.mzos.hr/svibor/2/06/278/rad_h.htm#rad9) of MINISTRY OF SCIENCE AND TECHNOLOGY - SVIBOR - Collecting Data on Projects in Croatia

In Croatia the Magister  Scientarium degree required 7 years of study (420 ECTS  credits - given the Bologna comparison system among academic programs) with strong emphasis on the magister scientific thesis. The admission to a Magister program in Faculty of Electrical Engineering, University of ZagrebCroatia required the full completion of Dipl.-Ing. degree (5 years, or 300 ECTS credits - passing exams of 42 courses and the defense of Dipl.-Ing. thesis). Magister study required additional 2 years of study, passing exams of 10 courses and the defense of Magister thesis (120 ECTS credits).
Degree: Diplom-Ingenieur (Dipl.-Ing.),  degree in electronics engineering (Graduate Engineer, Dipl.-Ing. - This degree is equivalent to a Master's degree (M.Sc.), Level 7.1  according to the European Qualification Framework (EQF)). Diploma No.: 3158-1974 (April 26, 1974). Thesis: “Converter of Voltage to Frequency”. Mentor: Prof. emer. dr. sc. Ante Santic.  (Prof. emer. dr. sc. Ante Santic was awarded 2003 EMBS Career Achievement Award presented by IEEE Engineering in Medicine and Biology Society).

On March 23, 2006 Faculty of Electrical Engineering (FER) obtained international accreditation. International accreditation for Bachelor and Master programs at FER has been issued by international agency - ASIIN (Akkreditierungsagentur für Studiengänge der Ingenieurwissenschaften, der Informatik, der Naturwissenschaften und der Mathematik e.V.). Accreditation refers to both Bachelor study programs Electrical Engineering and Information Technology and Computing and all three Master study programs Electrical Engineering and Information Technology, Information and Communication Technology and Computing.

CV of Stevan Ognenovski, Mag.Scient., Magister Scientiarum (Magister of Science in Computer Science), author of the Web site of Tale Ognenovski, Musical Genius, Clarinetist and Composer

 Awards 

  1. Award for innovation from Iskra Delta, Ljubljana, Slovenia (November 28, 1986)
  2. Recognition for successfully  participation in the National Competition of the “Society of mathematicians and physicians of Macedonia” in physic of the scholars of the secondary schools in Republic of Macedonia on May 8, 1966 in Skopje. 
  3. Third Prize at the National Competition of the “Society of mathematicians and physicians of Macedonia” in physic (Area of Electricity and Magnetism) of the scholars of the secondary schools in Republic of Macedonia on May 14, 1967 in Skopje. 

Writer

He has written articles about the artistic works of his father Tale Ognenovski in the newspapers: "Nova Makedonija" (November 10, 1997), Dnevnik (2002), Vecher (October 7, 2002) and Utrinski Vesnik (October 7, 2002),  in the newsmagazines: "Denes" (on October 29, 1998 and on October 10, 2002), Makedonsko Sonce (November 15, 2002) and Makedonsko Delo (November 22, 2002).

He is Author of the book entitled: "Tale Ognenovski Virtuoso of the Clarinet and Composer".  Publishing house is Matica Makedonska. The book is published in both Macedonian and English, on December, 2000. ISBN  9989483124 ; 406 pages (format A4). The content of the book are: the biography of Tale Ognenovski and music notation of compositions of Macedonian Folk Dances, Jazz and Classical Music (all composed by Tale Ognenovski).
Dushko Dimitrovski, ethnomusicologist and reviwer of the book writes: "This book can be distinguished from others by the way research has been extraordinarity complete and scrupulously conducted. An enormous number of richly illustrated moments in his life and the creative style of Tale Ognenovski make it possible for everyone to see the extraordinary values and dimensions of this artistic person as one of the most important instrumental maestros in the world and a uniquely creative musician." Kiril Todevski, ethnomusicologist and reviwer of the book writes: "In the first chapter the author, using selected materials, has included biographical data and individual articles about Tale Ognenovski's performances, as well as significant statements about his contribution towards the common proclamation of our cultural values with Ensemble "Tanec" on their mammoth tours in the United States of America, Canada and Germany in 1956, followed by the tours in France and Switzerland in 1959. Perhaps the most significant of his performances with Ensemble "Tanec" was the one in the famous Carnegie Hall in America." The Ministry of Culture for the Republic of Macedonia makes the publishing of this book possible by their financial support.

Library of Congress information at

http://lccn.loc.gov/2003457521 and World catalog at

http://www.worldcat.org/oclc/56368816&referer=brief_results
He is Author and Owner of the Web site http://www.taleognenovski.com.mk  entitled: "Tale Ognenovski, Musical Genius, Clarinetist And Composer" hosted by Makedonski Telekom AD – Skopje. (Since September 1998).


 

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